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To this day, those of us in the north Atlantic and Anglophone academic worlds simply do not take up theoretical insights developed from studies of fans and more generally, audiences in non-Western contexts. Consider, for instance, S. When I first wrote about film music fans in south India , I wanted to steer clear of situating fandom solely in relation to the political domain. As Melissa Click and Suzanne Scott put it in their recent book, The Routledge Companion to Media Fandom, race and transcultural fandom remain an underdeveloped area of study. The focus on the media industry, particularly the fan-media producer interaction on social media and in offline spaces like San Diego Comic Con and other commercial-focused fan conventions has led some scholars in fan studies to voice concerns that this mainstreaming of fans is diluting the resistant and activist origins of fandom. There are two cases I would point to here: The only way to push for change on this front is by reflecting on our reading and writing practices, by making a concerted effort to seek scholarship from well outside the immediate context s we live and operate in, and incorporating scholarly voices that are too often relegated to the margins. This is enabling more engagement with fans and fan practices on a global scale, but at the same time, heightening different complexities.

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As fans move from closed and moderated platforms like Yahoo Groups and LiveJournal to open, rhizomatic social media platforms, the accumulation of social and cultural capitals shift too, often to include attention capital van Krieken, ; Rojek, Those who had access and specific skills such as technical skills, language, cultural knowledge would be celebrated, and would often be elected or elect themselves to community leadership roles. Those practices had a name, and it was fandom. As Aswin Punathambekar, Sangita Shrestova and myself recently reflected, as fan and media scholars, we similarly need to re-consider the ways we engage with academic literature ourselves despite potential language and cultural barriers in order to widen the scope of our understanding, particularly of fan practices that adhere to different cultural understandings. The second topic - what we could gloss as transcultural fandom - is the other area that I think fan studies ought to engage with much more in the next decade or two. In addition to the question of language and performativity that Bertha Chin and Sangita Shresthova among others have written about, I would point to citational practices as a major problem for fan studies even in Moreover, given the multi-polar media world we inhabit today, it is crucial to learn more about new circuits of media production and circulation that by-pass and de-center the U. There are two cases I would point to here:

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Moreover, given the multi-polar media world we inhabit today, it is crucial to learn more about new circuits of media production and circulation that by-pass and de-center the U. Suddenly, all the things I was doing while growing up in Borneo: To this day, those of us in the north Atlantic and Anglophone academic worlds simply do not take up theoretical insights developed from studies of fans and more generally, audiences in non-Western contexts. Fan scholars now have to consider fandom from, among others, transcultural Morimoto and Chin, ; and postcolonial Pande, ; forthcoming perspectives. There are two cases I would point to here: The only way to push for change on this front is by reflecting on our reading and writing practices, by making a concerted effort to seek scholarship from well outside the immediate context s we live and operate in, and incorporating scholarly voices that are too often relegated to the margins. My move away from the film-fan-politics framework also coincided with my interest in mapping industry practices and specifically, exploring how Mumbai-based industry professionals had begun courting fans and co-opting fandom into marketing logics that fit neatly with the ongoing remaking of Bollywood as a global cultural industry. Even right down to the ways in which university management guides and fosters research interests are deemed along appropriate and inappropriate research fields in order to mould into being, the ideal, neoliberal researcher.

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Reality TV, as scholars including Marwan Kraidy link , Sean Jacobs, and Fabienne Darling-Wolf have shown, often sparked contentious debates around religion, gender, and sexuality in fraught political contexts. Moreover, given the multi-polar media world we inhabit today, it is crucial to learn more about new circuits of media production and circulation that by-pass and de-center the U. The only way to push for change on this front is by reflecting on our reading and writing practices, by making a concerted effort to seek scholarship from well outside the immediate context s we live and operate in, and incorporating scholarly voices that are too often relegated to the margins.

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